3/29/2024 0 Comments Snake lines aeneid fitzgerald![]() Where all life dies, death lives, and Nature breeds, The "camera" surveys the Angels surveying their world, and the farther they go, to their dismay, the grimmer, more inhospitable and monstrous, it becomes: From mid-shots of Hell's Angels at play the narrative pulls back and up, following those who choose to explore their new homeland, beginning at 570:Īnother part in Squadrons and gross Bands, The long description of their exercises in killing time until Satan's return has its own structure. (One notes that there is nothing we normally associate with "evil" here - they joust, play, discuss philosophy, sing - indeed, they are probably partaking of the same pleasures they once enjoyed in Heaven.) After the meeting breaks up, the narrator pulls back to stage Satan's triumphant exit (506 - 520), then, via the blare of the " sounding Alchymie" the narrator pulls back to pan the fallen angels at their liberal pursuits (521 - 628). The council scene (1-505) consists of tight head shots of each speaker in turn. Apart from the spectacular spaces and places - the ocean of confusion, anarchie and eldest Night outside the gates of hell, the pavilion of Chaos and more - there's Milton's cinematic use of close ups, middle shots, pans, and long shots. Which led to thinking about Book II of Paradise Lost visually. ![]() The marketing of the Inferno as a video game made me wonder how Milton's epic might fare. ![]()
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